There seem to be three camps, including in the poll below:
What should be done with the mural?
The SDFLA Blog is dedicated to providing news and notes regarding federal practice in the Southern District of Florida. The New Times calls the blog "the definitive source on South Florida's federal court system." All tips on court happenings are welcome and will remain anonymous. Please email David Markus at dmarkus@markuslaw.com
Monday, May 16, 2016
What should we do with the mural in the Dyer Courthouse?
MDC taking over the Dyer Courthouse was received with universal praise (background post). The one issue that has generated lots of heated debate is the mural in the central courtroom. There were some comments on the post, but there were lots of emails, calls and discussion about what we should do with the mural (including from federal judges with different viewpoints).
There seem to be three camps, including in the poll below:
There seem to be three camps, including in the poll below:
Subscribe to:
Post Comments (Atom)
14 comments:
Last week's post was received with universal praise?
I will echo my earlier sentiment -- We cannot simply white-wash our racist past. I am just glad nobody is getting sentenced there anymore. Here is the only explanation I found of the mural:
"The mural Law Guides Florida Progress completed by artist Denman Fink in 1941 is located above the judge’s bench and is flanked by two pairs of Ionic marble pilasters. The mural depicts the positive impact of justice guiding Florida’s economic development. Fink included a likeness of himself as a draftsman and a likeness of architect Phineas E. Paist, with whom he worked in Coral Gables, as a chemist"
It should also be noted that Denman Fink helped George Merrick design Coral Gables.
10:07, haha. I fixed it.
I would choose another option. I would not paint over the mural but I would have it draped. I also would construct a separate exhibit that discusses the explicit and implicit racism of the mural.
Keep the mural. It's history -- not only of Florida itself but of an era in our country's progress. Not only that, the artist did a fine job.
I would keep the mural. It is historical, and if that mural can only be seen as racist, then there are many historical monuments in Washington and elsewhere that would need to go too.
I would definitely agree that the mural depicts a division of class and occupation along racial lines, but I am not sure that it is "racist" in the pejorative sense.
Notwithstanding the demeaning and racist portions of the mural, it should be saved. History is history, and without a clear understanding of what our country was like in the past, we lose sight of the progress we have made.
Why is no one talking about the "colored only" water fountains at the county courthouse down the street?
But how is it racist?
I'll take the mural, and admire its beauty and tragedy in my home.
Maybe DOM should set up a debate on this issue.
The mural may have historical value and then should be in a musuem. However as an attorney "of color" I found appearing in front of that mural in that courtroom demeaning. The mural depicts my predecessors as enslaved beasts of burden. We are mere totters and carriers of stuff. There is nothing that would indicate to me as the attorney or to a client of color this might be a place where justice and fairness prevails.
As the granddaughter of Denman Fink, I can tell you, without hesitation that my grandfather was not a racist. He was simply an artist who painted what he saw. Nothing less, nothing more. He was a quiet, unassuming, very talented artist and was the artistic part of the development of Coral Gables along with designing the venetian pool out of the coral quarry, all of the entrances to Coral Gables, the lighthouse water tank, the city hall and a number of buildings including his own home and his daughter's home, both of which had solar heat, I might add. He was ahead of his time. He also had the final word on the colors and textures used on each and every building that was erected at that time. But a racist? Not. He was a transplant from Haworth, New Jersey. P.S. My father, Robert Fink, did nearly every pen and ink and/or grease pencil ad promoting Coral Gables and he wasn't a racist either. Our family has always judged people by their character. Never by the color of their skin. Not now, not ever!
Post a Comment